Showing posts with label VST. Show all posts
Showing posts with label VST. Show all posts

Friday, July 17, 2009




Return to Analog


VTAPE ist eine Plugin Suite basierend auf einer realistischen Simulation der Tonaufzeichnung mit analogen Bandmaschinen.

VTAPE Saturator konzentriert sich auf die Simulation des Aufnahme/Wiedergabeverhaltens einer analogen Bandmaschine.

VTAPE Delay benutzt diese Simulation als Kernmodul für ein modernes, Stepsequenzer basierendes Multi-Tap Delay und führt damit den warmen Klang der alten Bandechos in das 21. Jahrhundert.

VTAPE Flanger simuliert den legendären "Tape flanging" Effekt der durch die Wiedergabe desselben Musikmaterials auf zwei Bandmaschinen mit leicht unterschiedlicher Geschwindigkeit ensteht.

Warum und Wie ?

Why bothering about going back to analogue tape recording knowing that todays digital audio recording is undoubtly more precise in reproducing the original sound ?

Perhaps you already guessed the answer: it´s the imperfection and the technical deficiencies which can add something wonderful to the sound if properly used.

Most emulations of the `tape sound´ focus on the saturation characteristic alone and underestimate the effect of a subtle amount of `flutter´ - high frequency fluctuations of the tape speed. This adds something which is probably the most important part of the special sound: The harmonic lines are "widened" by the effect of frequency modulation due to flutter which causes a 'thickening' of the audio signal contributing to the fat sound of analog, compared to the more accurate, but thin sound of digital. This effect called `Modulation noise´ makes it easier to mix tracks together by removing the static character especially of electric/electronic sounds. It´s interesting to know that many natural instruments have a "built-in" flutter effect which strongly contributes to their sound.

The distortion and compression effects due to the saturation characteristic of magnetic recording depend on the input signal level. With normal recording levels the distortion is around 1% which is away from sounding really distorted but quite audible and adds a pleasant color to the sound. Higher values should only be used as special effect on some suitable tracks dependant on the style of music you´re after.
The saturation is also responsible for the `instant compression´ effect which causes transient signals to be reduced in level. In contrast to a dedicated compressor this one is working with instant attack/release and therefore avoiding the typical pumping artefacts.

VTAPE Flanger

- Manuelle "Tape flanging" Simulation.
- Authentisches “through zero” Flanging.
- Einzigartiger Stereomodus.

VTAPE Saturator

- Realistische Bandmaschinenemulation
- Bandsättigung / Kompression.
- Automatischer Lautstärkeausgleich.
- Bandrauschen
- Gleichlaufschwankungen
- Equalizer
- Frei von Aliasing
- Zero latency Betrieb
- Einfaches Userinterface “One page only”.

VTAPE Delay

- Basiert auf VTAPE Saturator
- Stepsequencerartige Eingabe von Delaypattern
- Modernes Tempo-synchronisertes Delay mit bis zu 16 Taps pro Kanal.
- Lautstärkeeinstellung für jeden Tap.
- Stereo Rotationseffect
- Tap Pad für Tempo tapping
- Loop Filter Lo/Mid/High
- Alle Parameter ohne Störeffekte editierbar.
- Zero latency Betrieb
- Einfaches Userinterface “One page only”.

Author: VirSyn

Download PC: RapidShare

Friday, July 10, 2009


Synthesis

Nepheton contains 17 fully synthesized instruments perfectly emulating the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better. Listen to the audio examples or just download the demo and try it out.

Outputs

Nepheton has a flexible output configuration. Every instrument's audio signal can be routed to any of the 17 outputs. This allows users to further shape sounds individually or in groups via their favourite plug-ins.
Each individual output can be set to mono or stereo. For the greatest 808 fans we've added also original Trigger output (configurable as well).
Every instrument also has a Mute, Solo button and Activity led. Mute will not just silence the sound, it will stop the sound being triggered. Solo will stop all other instruments from being triggered and only allow the selected sound(s) to play.

Control


Nepheton has extensive midi control. Midi notes can be used to trigger each individual sound. Alternatively, the internal sequencer can be used. This can be set to play using Nepheton's internal clock or set to synchronize perfectly to the host sequencer.

Most of Nepheton's parameters can be automated within the host and also controlled using MidiCC with an external controller. An easy-to-use Midi Learn function allows reassignment of any of the parameters.

Internal Sequencer

Internal sequencer's memory contains two banks of patterns: simple and extended. There is 16 extended and 96 simple patterns which both can be edited traditionally using the step buttons or using the tap function.

Simple patterns are used in Host Mode where each pattern location has a midi note number assigned to it. With these notes you can control freely the order of played patterns.

Extended pattern differs from the simple one in it has 4 segments (variation A/B and part 1/2). The whole bank of 16 extended patterns is divided into two groups of Basic Patterns and Intro/Fill In Patterns. You can choose freely from played patterns, used variations, and fill in modes (triggered automatically or manually). It also can be defined whether the starting pattern should be preceded by introduction pattern and many many more. Extended patterns are used when Host Mode is off.

A Randomizer function is also provided within the internal sequencer. It can be used to make simple changes to a pattern or create a whole new one - ideal when your creativity needs a boost! Randomizing can be applied to specific instruments and the frequency of occurrence can also be adjusted easily to give you just the right amount.

All external files are stored in the XML format. This allows single patterns or whole banks to be exchanged between users easily. XML allows the files to be edited in a text editor. Ideal if you want to post or share a pattern on a web site - just post the text!

Author: D16 Group

Download PC: RapidShare
Download MAC: RapidShare

Saturday, June 27, 2009

In 2002 Rob Papen approached Peter Linsener of LinPlug with the idea of a sound-designers dream synth.
A few months later ALBINO was born! This very unique synth stole the hearts of many musicians due to it's high quality sound, usability and inspirational presets.


Albino3 has loads of amazing new creative features added like the two new filters "Scream" and "Comb"; four FX units with new FX like LoFi and WahWah; a Compressor and an improved Reverb.
But the biggest new feature is that you can layer up to four instances of Albino in one single preset!

Albino 3 has more than 2200 'Rob Papen' presets in various styles of music plus two banks by the very talented REYN (Famous Dutch producer), Noisia (Dutch DnB) and NarvanaX (Dutch Hardcore).

The Layers:

Each preset can now be made up of 4 individual layers. So actually a sound can make use of up to 80 oscillators for a single note ( 4 Layers, 4 Oscillators each, 5 times Spread). A typical todays DAW, either Mac or PC can usually handle about 120 Albino 3 Digital Oscillators or 75 Albino 3 “Analoge” Oscillators. But to explore the musical possibilities that the Albino 3 Layers offer to you we recommend to check out the presets that come with Albino 3. Some people told us that now they have a full song right at their fingertips. Thanks for the compliment.

Powerful Arpeggiator:

Each layer can have an up to 32 step rhythm arpeggiator with several modes: up, down, up/down, down/up, as played, random mode and a chord and modulation mode.
It can be retriggered, it can swing with your music and you can mix its step velocity values with the velocity you played the chord. Your own creations can be save or copy/pasted to other presets. Many of the new presets make use of the Arpeggiator and the possibilities are literary endless.

Key Futures:
  • AU, RTAS and VST plug-in synthesizer for PC and Mac
  • Modular and extendable design currently with with 4 Oscillator Modules, 4 Filter Modules, 2 Envelope Modules and 12 Effect Modules
  • 32 voice polyphonic (CPU dependent)
  • more than 2100 Rob Papen presets, integrated sound browser
  • up to 4 oscillator per voice and layer, various High Quality Oscillator types with countless waveforms
  • Oscillator AM and FM and "Pulse Width Modulation" for all (!) waveforms, oscillator sync, filter FM
  • up to 2 filters per voice and layer, each with 4 types of multimode filters, altogether 20 filter modes, saturation control
  • up to 8 envelopes per voice and layer, 2 types: 5 levels / 5 rates with loop and ADSFR mode
  • Variable keyboard and velocity tracking, individual for each envelope
  • up to 4 LFO’s per voice and layer with various waveforms, broad range of tempo sync, Symmetry and Phase adjustable, additional DAD envelopes for every LFO
  • Controller hardware (faderbox or synth) can be used to control Albinos parameters using the LinPlug ECS (MIDI Learn)
Author: LinPlug
Download MAC: RapidShare
Download PC: RapidShare

Thursday, June 25, 2009

T-RackS 3 Singles
Single Effects Processor series


T-RackS 3 Single Effects Processor series offers each of the 10 modules included in the award-winning T-RacKS 3 Deluxe Mastering & Mixing Suite, available as individual processors that operate as native VST, AU, or RTAS plug-in, for more convenient usage inside any popular DAW when mixing individual tracks.

In addition to being used as a plug-in on individual tracks, all T-RackS 3 singles can be integrated into the the T-RackS 3 Standard Mastering & Mixing Suite as a user’s needs expand. For example, a user who owns the T-Racks 3 Standard suite can add the Vintage Compressor 670 module and integrate it into the 12 slots in the series/parallel chain for sophisticated routing and parameter recall.

The T-RackS 3 Single Effects Processor series includes these 10 plug-ins:


  • Vintage Tube Compressor/Limiter model 670
  • Vintage Tube Program Equalizer
  • Opto compressor
  • Intelligent, multi-algorithm Brickwall limiter
  • High precision, high definition Linear Phase Equalizer
  • Classic T-RackS Compressor
  • Classic T-RackS Multi-band Limiter
  • Classic T-RackS Clipper
  • Classic T-RackS Equalizer
  • High quality, high precision, complete metering suite

Features:

  • 10 individual mixing/mastering processors series comprised of 3 analog and vintage emulations (including models based on the Fairchild 670 and the Pultec EQP-1A), 2 digital processors as well the 4 classic T-RackS processors plus metering suite with Peak, Perceived Loudness, Phase, and RMS meters, plus a Spectrum analyzer with Peak, RMS and Averaging indicator
  • VST, Audio Unit and RTAS plug-ins for any compatible DAW on Mac or PC
  • New high-fidelity oversampling with crystal clear transparency, for high quality audio processing
  • A-B-C-D quick comparison settings allow to compare various processor set-ups with one click
  • New SCC™ technology coupled with IK’s unique DSM™ technology provides the most realistic software emulation of vintage gear to date
  • Can be integrated within T-RackS 3 Standard Mastering & Mixing Suite plug-in or standalone
  • Presets can be read within module presets in T-RackS 3 Deluxe or Standard Mastering & Mixing Suite
  • Extremely affordable: each plug-in are available for a fraction of what comparable sound quality plug-ins cost
  • Current owners of T-RackS 3 Deluxe or Standard suites will be given the individual modules (included in the package they purchased) as a FREE download in their IK User Area

T-RackS 3 Single Effects Processor series has all the tools you need to create superb, tube-toned or digital-tuned, mixes and masters on you DAW.

Its rich, warm sound combines new tube-modeled and state-of-the-art digital processors on top of its classic top-notch analog classics. The complete metering section keeps all the most important variables of your sound under control. A truly superior set of processors that will put a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in series offers this kind of dedicated environment for such an important task, and nothing sounds like T-RackS 3.

The download contains a text file with the actual RapidShare links.

Author: IK Multimedia
Download PC: iFile
Download MAC: iFile

Friday, June 12, 2009


GURU takes the best features of hardware beatboxes, drum samplers and loop manglers, and combines them into a unique, inspirational software instrument.


Whether integrated in to your DAW or running standalone, GURU's powerful sequencer with ultra tight timing and realtime groove adjustment is an intuitive and addictive interface with which to quickly write inspiring rhythmic foundations for your tracks.

High-quality built-in effects, including compressors, EQs, delays, reverbs are available right under your fingertips, as well as sample manipulation capabilities like reverse, bitcrusher, and resonant filters - all the power you need, whether you want to mangle your sounds or just tweak them.

GURU gives you the hands-on feel which you crave... record performances with a MIDI controller, mouse or laptop keyboard, fire off sequences with a single keypress, drop parts in and out, chop loops instantaneously, and switch grooves on the fly - all with sample accurate timing. GURU is a complete beat production worksation environment, ideally suited to live use or for fast, intuitive composition in the studio or on the road.

Instant loop slicing with in-context preview and automatic score detection makes reusing and reprocessing your existing loops a breeze, and even lets you cross-breed and hybridize your loops - take the feel from one loop and apply the sounds from another, then drag and drop the results to your host.

Features:
  • Advanced Step Sequencer - 128 steps, 16 channels, 24 memories per engine, full graphical automation, MIDI remote control, independent tempo multipliers, real-time and step recording with undo.
  • Automated sample slicing, classification and pad mapping (kick, snare, hat, percussion) with manual slice-tuning capability.
  • Can load audio loops (WAV/AIFF/REX), MIDI loops, single-hits, complete kits, pattern banks.
  • 8 Engines, each comprising:
  • 16 MIDI-triggered Sample Pads.
  • Powerful step-sequencer with up to 128 steps.
  • 24 MIDI-triggered Patterns.
  • Three Aux effects units.
  • Master effects unit.
  • Intuitive mixer view offering a convenient overview of all 8 engines.
  • Flexible groove/shuffle control for patterns - take the groove of one MIDI file and apply it in real-time to another.
  • Comprehensive Pad Editor offering individual control of the following for each pad:
  • Gain, pan, coarse/fine tune.
  • Resonant filter blend between LP/BP/HP.
  • 3 Aux sends and an Insert effect slot.
  • Start/end point adjust.
  • Amp/FX envelope.
  • 8 velocity cross-fade layers.
  • Cut groups (choke groups).

New in GURU 1.6 :

GURU version 1.6 is a free upgrade to all GURU version 1.x registered users and incorporates key new features and fixes.
  • Note repeat , note erase and fixed-level triggering for the pads
  • Looping and phase flip per layer
  • Patterns can now be up to 16 pages (512 steps) long (increased from 4 pages)
  • 16 stereo outputs (increased from 8)
  • Instant graph record from MIDI CC
  • Skinning support
  • Various workflow and midi implementation enhancements (improvements to midi remote control, layer context menus etc.)


Author: FXPansion
Download PC & MAC: RapidShare